Lola Maya’s blog

March 13, 2010

Haunted (1995)

Filed under: Uncategorized — lolamayasblog @ 7:13 pm

Adapted from James Herbert’s novel by veteran Lewis Gilbert, this accomplished-fashioned ghost falsehood benefits from craftsmanship, but lacks atmosphere and vision. All is present and correct, from the Edwardian loot where things go destroy in the night, to the ghostly figures by a moonlit lake. Quinn brings an emotive dimension to the seasoned sceptic David Ash whose informed beliefs are challenged by a confrontation with the spiritual world. Summoned to Edbrook House by dotty servant Miss Webb (Massey), David’s haggard into the intrigues of its other three inhabitants, Christina and the brothers Robert (Andrews) and Simon (Lowe). Unsettled by the weird goings-on, David starts to elude his grip on reality. Massey’s twitchy, unhinged old lady sets the tone for what will follow, while Beckinsale’s sexy Christina fuses childlike recklessness with adult manipulation. Ironically, as the electrifying revelations and sfx kick in with a vengeance, it’s Quinn’s disintegrating professor who holds things together, his outstanding exhibition a solid dramatic axis round which things spin wildly out of be in control of.

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March 12, 2010

Men in Black II (2002)

Filed under: Uncategorized — lolamayasblog @ 5:33 pm

3BC

The Diva's review of


Men In Black II

(2002)

3BC

(


click here


to cavort to

this movie's
rating

)
Viewed at The Guild

Rated PG; tournament ever of 88 minutes

Type: Comedy

Written by: Robert Gordon, Barry Fanaro (based on the jocular regulations by Lowell Cunningham)

Directed by: Barry Sonnenfeld

Twist: Tommy Lee Jones, Will Smith, Rosario Dawson, Lara Flynn Boyle, Johnny Knoxville, Rip Torn, Tony Shalhoub, Patrick Warburton, Michael Jackson, Biz Markie




WARNING - SPOILERS ON EARTH.





The Ponder

5 years ago, the greatest M.I.B of all time, Kay -A.K.A Kevin Brown (Tommy Lee Jones), was sent back to civilian life. His memory wiped clean, he is enjoying his life as the postmaster general in a small New England town. Well enjoying might be a bit optimistic. He is surviving is more accurate. Meanwhile, over in New York, J (Will Smith) is still fighting aliens and still getting his butt kicked by them, but over all is the best the organization has, unfortunately he goes through partners like toilet paper. He finds fault in every single one and eventually neurolyzes them - wiping their memory clean and sending them back to the "real world". All of this is about to change because of alien named Serleena (Lara Flynn Boyle).

Serleena, posing as a Victoria Secret's model, is kicking names and taking butts all across New York looking for the "Light of Zartha". The keys to the light are a witness named Laura, who Jay has fallen for and didn't neurolyze, and the now retired Kay who had a run in with Serleena in 1977.

Jay must reactivate Kay to help him figure out what's going on, one problem though, Kay purposely wiped all memories of that 1977 event from his mind. So even though he's back, he has to follow all the clues he left for himself in order to solve the mystery. He has until Midnight to do it, if not things go horribly wrong for Earth.



The Dish

Hmmmmm. "Pbbbbbpt"! MIBII wasn't nearly as entertaining as the first one. The filmmakers failed the audience this time around because they didn't study their own history. MIB rocked because we hadn't seen that stuff before. We'd never seen those kinds of gadgets, aliens, weapons, and cars before. The fact that we were sucked into all the cool stuff made up for the fact that the plot was a little thin. Well they forgot to distract us with groovy toys this time. Because I wasn't distracted I was able to see how bad the story was. My lord what a ghastly plot.

The acting wasn't anything to write home about either, although I was touched by Agent Kay's show of tenderness in one scene. I was disappointed with Will Smith's cursing. Not the words, but the frequency of it and quite a few parents remarked how it wasn't this bad in the first one. That Johnny Knoxville guy was pretty much not needed. His character was a waste of space. And can I please ask what is up with everyone's grill in this movie? I almost got ill looking at all those nasty teeth.



The Directive

I'm having a really hard time recommending this movie. Even in the direction of a summer flick it leaves a quantities to be desired. I don't have knowledge of if you really should oblige to sit through 90 minutes of product sleeper-ins and marketing. It's

this

close to a red incandescence.
Yellow



MIB = MAB - Mediocrity At Best

Copyright Kamal "The Diva" Larsuel-Ulbricht, 2002

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March 10, 2010

Social theorist Georg Simmel …

Filed under: Uncategorized — lolamayasblog @ 10:23 am

Social theorist Georg Simmel wrote that fashion?s power is based on its uncanny combination of imitation and differentiation. Oliver Schmitz?s inspired little gem ? a highlight, along with Elaine Epstein?s AIDS documentary

State of Denial

, of this week?s "Ten Years After: Contemporary South African Cinema" series at the Harvard Film Archive ? works along similar lines. The fish-out-of-water tale follows Sox, a yuppie black actor who tries to win a role in an action flick by polishing his street credibility in the ghetto. In mapping Johannesburg?s prickly topography of race and class,

Hijack Stories

also explores a blurry boundary between artifice and reality: at what point is Sox?s "research" no longer a performance? In so doing, it externalizes the traditional gangster film?s preoccupation with having the right lines, the right swagger, the right clothes. Drawing on such diverse films as

Boyz N the Hood

, the Michael J. Fox star vehicle

The Hard Way

, and the Swinging London psychodrama

Performance

, Schmitz fashions a stylish makeover of the gangster genre. (95 minutes)

BY MATTIAS FREY

Stream Date: January 14 - 20, 2005

March 8, 2010

Based on the novel by Honore …

Filed under: Uncategorized — lolamayasblog @ 7:43 am

Based on the novel by Honore de Balzac, this in the chips period dramatics tells the horror story of a cavalry police officer–declared dead in Donnybrook–who survivives the Napoleonic take up arms and attempts to salvage his honor and fortune after a 10-year absence.

March 6, 2010

Are You Scared (2005)

Filed under: Uncategorized — lolamayasblog @ 8:38 am


Are You Shocked?






Year:

2006



Directed
by:

Andy Hurst

Cast:

Alethea Kutscher
Carlee
Avers
Brad
Ashten
Kariem
Markbury



Use
the darkbrown scrollbar to the right to scroll down suitable the review. 


 Six people
wake up privileged an aged building, only to
discover that they have been selected to participate
in a reality-TV game show called Are You Scared, which
they applied to a few months ago. The concept of the
game is that the whole world has to face their worst respect,
kind of find agreeable in Fear Factory. But this velitation has a
twist - unless you're talented to overcome your fear in a
short aeon of time, you commitment die a horrible death.

As I had already figured loose long preceding I sat down to
watch this DTV slasher flick, this is a cheap cash-in
on "Proverb 2", which wasn't a very master moving picture to launch
with. I've look over a couple of indeed anti reviews
for "Are You Scared" and while I agree with most of
them, I have to believe that if you were enceinte this
to be a edible talking picture, you modestly can't be rather clever.

And I was actually undoubtedly positively surprised by how
decent it turned out to be.

Originality is not a news you will be thinking of while
watching this movie at hand a bunch of teens who get
stuck inside an old, sully edifice (think Visit with No

Evil) where they've develop unwilling participants of
a actuality-TV game mortify called "Are You Scared?". It
turns out that the ratings fitting for this show are incredibly
low, in factually, there's exclusive one viewer - a psychotic
serial killer who wants to teach the teens a lesson.

Oh yes, the class is perfectly the same as it was in

"Saw", on the contrary this guys motives are from as established as the

Jigsaw killer's.

The movie spends no time on erection credibility for
itself. In episode, one of the guys gets very excited when
he realizes that he's been chosen for the competition,
but you'd think that he would realize that something's
fishy since he woke up with a giant bloody mar in the
middle of his stomach. That's the kind of idiocy that
you enjoy to be able to weather if you're going to enjoy

"Are You Horrified?".

As profuse of you remember, I wasn't a bulky fan of "Saw 2" since

I kindliness that it was a poor re-hash of early 2000's
actuality-TV aversion flicks, while as the first movie was
unusual in so many ways. Obviously it was a mostly consignment
more than "Are You Scared?" though, but still, there
was whole thing that I enjoyed more about Are You Startled,
and that was the gore. The death scenes are much more
inventive and grisly than they were in Saw 2, and to be
honest with you, I actually didn't survive the end crazy
coming (even if it was, in lack of haler words, lame).

With nice presentation values and surprisingly documentation
actors, I have to utter that "Are You Frightened?" turned
out-dated to be far from as atrocious as I had expected it
to be. It's a complete and utter Saw filch-off, but it's
aware of it and doesn't try to hide it (at least it
went all the way and didn't try to vary some lesser
detail like Formlessness did and conscript it original). If you're
a fan of reality-TV horror flicks (which I have had
ample supply of), Are You Scared should be pleasing enough
if you don't mind the fact that it's unoriginal. Don't
get me wrong, it's a bad movie, I fitting expected it to
be a whole kit raffle worse.

Surprisingly bloody with a melted arrive, a drill in head,
an impalement, some intestines, and my favourite exhibition
in the large screen - a head chopped in half.


The butter-fingered percussions didn't in effect do it fitted me, nor
did the piano music. I doubt that it would have helped
a lot with a better score though.


Yes, it is a bad movie, but it should have been worse.

Are You Shocked might be unambiguously unoriginal, but as
far as rip-offs go, at least this an individual is mildly
entertaining - if you can overlook some idiotic plot
holes that is. Only seeking people who absolutely loved

"Byword 2", because if you didn't like that movie, you
will not like this either.

March 4, 2010

Memento review

Filed under: Uncategorized — lolamayasblog @ 10:23 pm

“Memento,” directed by 30-year-old British director Christopher Nolan, is
the kind of movie that’s bound to be talked about, debated and eviscerated far
more than it’s understood.

It’s the story of a man, played by Australian actor Guy Pearce, whose short-
term memory is destroyed when his wife is killed. After the tragedy Leonard
Shelby compensates by taking Polaroids, making notes to himself and tattooing
reminders on his body — anything to reorganize his shattered life and avenge
his wife’s death.

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It’s not amnesia, he explains, but anterograde memory loss — the inability
to make new memories. Everything until the accident is relatively intact;
everything that has happened since tends to vanish.

Nolan based “Memento” on a short story by his brother, Jonathan Nolan, who
told it to him during a cross-country road trip. He sets it in Los Angeles —
the tawdry L.A., not the glamorous one — and uses the story as a springboard
to various themes: the relativity of truth, the unreliability of memory and
the existential loneliness of a man who constantly feels “like I just woke up.”

That’s a weighty agenda all by itself, but Nolan adds another layer by
telling Leonard’s story in reverse. He opens the film with a Polaroid of a
murdered man and during the opening credits lets that image fade to nothing
instead of materializing.

A murder is then revealed (or cloaked?) and each scene that follows clicks
backward in time, ending roughly where the previous one began. Shady L.A.
characters, played by Carrie-Anne Moss, Joe Pantoliano and Mark Boone Junior,
will enter Leonard’s world, appearing friendly one moment and reeking of
malice in another.

“Memento” is told from Leonard’s fractured perspective, so it’s hard to
follow — intentionally so. Like “The Sixth Sense,” which also played with
notions of time and perception, it’s designed to challenge and confound us.

Like “The Sixth Sense,” it begs for repeated viewings and gives us (what
seems to be) a surprise ending. I’ve seen it twice now, and I’m still not sure
exactly what happens. And I’m wondering: Will anyone?

Nolan’s only prior directing credit was “Following” (1998), a little-seen
thriller about a would-be writer who escapes his loneliness by following
strangers. His next movie, which, judging by its title, would seem to follow a
similar thread of ambiguity and identity-seeking, is called “Insomnia.”

Nolan may be too clever by half — witness his fondness for red herrings —
but he has a strong command of the medium and holds our interest with “Memento.
” He keeps us grasping for clues and creates a sense of Los Angeles — again,
from Leonard’s perspective — as a bleak, lonely netherworld where people
never wake up or come fully into focus.

He’s also drawn a tense, passionate performance from Pearce as the
emotionally stranded Leonard. Pearce, an acting chameleon, looks nothing like
he did in “The Adventures of Priscilla, Queen of the Desert,” when he played a
bratty drag queen, or “L.A. Confidential,” which refigured him as a straight-
arrow L.A. cop.

Lean and wiry, his hair dyed blond and worn spiky, Pearce plays Leonard on
a note of unbroken frenzy — like a man whose mind is derailed and who is
rushing to get it back on track and moving forward.

Pearce is too scrupulous an actor to plead for an audience’s sympathy, and
yet there’s something in Leonard’s lonely search — his wish to turn the
fragments of his life into something whole — that touches and resembles any
one of us.


This movie contains raw violence, raw language and partial nudity.

E-mail Edward Guthmann at eguthmann@sfchronicle.com.

March 2, 2010

Happy Endings (2005)

Filed under: Uncategorized — lolamayasblog @ 4:13 am

Maime (Lisa Kudrow) has never got once more falling pregnant as a boy with her gay step-fellow Charley (Steve Coogan). Unified day she is approached by would-be filmmaker Nicky (Jesse Bradford) who offers to merchandise dirt relative to the child Maime had adopted out of order, in return for documenting her story. Maime refuses but suggests an alternate joke involving her masseur boyfriend Javier (Bobby Cannavale) who uses shafting to put a beam on his clients’ faces. For the time being, Charley and his partner Gil (David Sutcliffe) become mistrustful that the child of their lesbian friends (Laura Dern, Sarah Clarke) may have been conceived from Gil’s sperm. Meanwhile, singer Jude (Maggie Gyllenhaal) seduces gay drummer Otis (Jason Ritter), later discarding him quest of his wealthy governor Frank (Tom Arnold).

February 28, 2010

I know I’m risking the start …

Filed under: Uncategorized — lolamayasblog @ 2:23 pm


I discern I’m risking the start of a flame war, but I have to admit that “Xanadu” really isn’t that bad. Oh, I’m not saying it’s great or anything. It’s not even definitely good. But I think that it gets picked on for the wrong reason. I maintain a theory that if “Xanadu” had been released at worst two or three years earlier, it would have been a lot better received by critics and the conspicuous akin to. The film’s greatest flaw, in my opinion, was its timing. It was a skin that acclaimed roller-skating and disco-among other fads and fashions-at the patch when those fads were on their way out the door. Rather than celebrating them by being the defining cinematic experience it wanted to be, it a substitute alternatively ended up being a eulogy someone is concerned those fads, or even the last conclude in their sarcophagus. Had “Xanadu” made it to theaters yet two years earlier, it would have had fared better. Diminish me chance it this way: “Saturday Night Fever” is universally considered to be the defining disco movie and was very lucky at the belt purpose and remains comfortably so on video. On occasion, suspect if that film had been released in 1980 instead of in 1977. Unprejudiced with John Travolta’s Oscar nomination-dignitary acting, it is fair to give the word deliver that it would very likely not have done half as good.

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“Xanadu” is a remake of the so-so “Down to Earth”, with Olivia Newton-John playing a muse who shows up to inspire a struggling young artist and an aging musician (the late, great Gene Kelly, in a not-so-spacious role). The fog tries to make grand, wall-to-wall comparisons between the music of the Forties and the Seventies, attempting to pass over the generation disruption and bring some sort of twisted harmony to the planet. This is all, of track, in unison well makeshift to feature Newton-John and company in incessant musical and dance numbers. Disco shamelessly abounds, roller-skating scenes look as if to leap evasion from nowhere, and the temporal setting of Xanadu even shifts destroy and forth thirty years a couple of times. The filmmakers, in in all probability a last-ditch attainment to save this talking picture, unvaried enlisted the talents of E.L.O. seeing that the bulk of the soundtrack, and Don Bluth for an animated chain. The director and crew, in an creation to make this a film for everyone, pulled dozens of elements from disparate and eclectic sources, and wrong swathe up making a film to save no entire.

But someone is buying this movie, right? I at all events, it’s been out on videotape for fifteen years unbroken, has common knowledge and gone on laserdisc, and now is making its first-class widescreen come out on DVD. It can’t be THAT bad, claim?

“Xanadu” can best be described as something of a guilty pleasure. Even though the story is weak, the acting is way less than prime average (especially Michael Beck! And he showed so much pledge in “The Warriors”!), the effects are laughable, and what unimaginative talent as a matter of fact exists among the cast and corps is all-but wasted, “Xanadu” still has a unspecified, undefinable…something. If nothing else, the video succeeds as one, hanker music video for the extraordinary soundtrack. Only gets the feeling that, had this film been slightly more lucid, it muscle have enjoyed some of the cult success that “The Adamantine Horror Essence Show” has reaped from its midnight showings all the world. But, alas, “Xanadu” is relegated to the status of a film that you’d not at all admit in sector to liking, yet whose VHS tape you’ve kept cryptic in your closet over the extent of years.

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February 25, 2010

Last Orders review

Filed under: Uncategorized — lolamayasblog @ 9:28 pm

Long time friends Ray (Bob Hoskins), Lenny (David Hemmings) and Vic (Tom Courtenay) meet
at the barrelhouse to sanctify the dash of Jack (Michael Caine), who has recently died. They
ride herd on hint at down to Margate with Jack’s railway carriage salesman son Vince (Ray Winstone) to diffuse the
ashes, while his widow Amy (Helen Mirren) visits her retarded daughter, who she has seen
once a week for the life 50 years. As they move to Margate, the friends memorialize pressing
and wonderful moments that have affected each of their lives.

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February 23, 2010

Gorgo (1961)

Filed under: Uncategorized — lolamayasblog @ 5:43 pm

An irresistibly tacky piqued between Regent Kong and The Being from 20,000 Fathoms. Midsize monster Gorgo is awoken from millennia of slumber and shipped misguided conducive to exhibit in Battersea Funfair. This prompts its mammoth mummy to come and stomp a bunch of model-pan out e formulate London monuments in a ceremony of maternal kinship. The final film, more’s the sad thing, to be directed by Lourié, an profession impresario who also perpetrated The Animal from 20,000 Fathoms, The Colossus of New York and Behemoth the Deep blue sea Barbarity.

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