Indie auteur Hal Hartley made his feature pellicle directing enter with The Unbelievable Truth, starring Richard Burke as Josh Hutton, a sissified-spoken ex-convict, and Adrienne Shelley as Audry Hugo, an knowledgeable teenager obsessed with atomic destruction. Hutton’s homecoming is complicated by gossip, rumor and hyperbole concerning his past misdeeds. Audry helps him find metier as a mechanic at the auto machine shop owned by her abbe (Christopher Cooke), where he proves himself an able employee but remains something of an visitor. Audry, wrestling with difficult decisions of her own, finds herself attracted to this quiet, presumably threatening man, unbiased as she embarks on a top modeling career.
Hartley’s small-proportion motion picture uses its characters and their actions to greet larger issues of materialism, compromise and personal values. Hartley’s dialogue is acutely written, and he finds trusty humor and stateliness in his characters’ down-collar lives. The film’s carry on-down homes and struggling businesses are photographed with subtle naturalism by Michael Spiller, who acknowledges the characters’ circumstances without resorting to condescension or undue glorification. Richard Burke is susceptive as Josh, who harbors a secret he is unable to articulate, and Adrienne Shelley navigates Audry’s frequent minded swings successfully.
The Unbelievable Truth is not a importantly polished effort—some of the characters are so obviously symbolic they forsake to measure as human beings, and numberless of the supporting performances are outspoken amateurish, calling Kevin Smith’s Clerks to mind on more than one occasion. The film’s pacing is uneven, lurching in fits and starts from individual plot point to the next. And the passage of set is often hazy—events which should take weeks non-standard like to happen in days, while some days appear to last for weeks.
I can’t surely station my do one’s part on it, but there is definitely something worth watching here. It may be it’s the film’s decidedly anti-Hollywood setting and style, or the script’s fundamental optimism and faith in human nature. Possibly it’s the chuckling engendered by its truest, funniest moments, or the subtler felicity of watching a talented filmmaker finding his way the first time out. The Unbelievable Truth is an uneven production, to be sure, but it’s approvingly worth checking finished if you value the spirit of independent film.
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